My Horrible Idea
(Using Horror Movies to Teach English)
  • How to Use Monsters in the Classroom
    • What Can Monsters Teach Us?
    • Rhetorical Problems of Purpose, Audience, and Genre
    • Doubt: A Parable
  • Literary Stuff
  • Guest Blogs
    • SCARY MARY: A STUDY OF TONE
    • Horror Movie Survey
    • First Dates and Wisecracking Werewolfs
    • Rachel Tucker: A Master Gardener's take on The Purge
    • Janice Cheng: Horror & Logic
    • Zach Butler: Why All the Horror?
  • Movie Lists
    • MEAT IS MURDER: MY TOP FIVE LIST OF CANNIBAL MOVIES
    • CHRISTMAS HORROR MOVIES
    • TRIBUTE TO MR. VINCENT LEONARD PRICE, JR.
  • Archives
    • MONSTER MOVIES >
      • DRACULA (1931)
      • THE MUMMY (1932)
      • KING KONG (1933)
      • THE WOLF MAN (1941)
      • CREATURE FROM THE BLACK LAGOON (1954)
      • THEM! (1959)
      • THE HOUND OF THE BASKERVILLES (1959)
      • THE WASP WOMAN (1959)
      • THE DEADLY BEES (1966)
      • PLANET OF THE APES (1968)
      • EMPIRE OF THE ANTS (1977)
      • THE SWARM (1978)
      • THE BEES (1978)
      • ALIEN (1979)
      • THE ATTIC (1980)
      • CUJO (1981)
      • PREDATOR (1987)
      • DEAD ALIVE (1992)
      • CONGO (1995)
      • JAWS (1975)
      • DEVIL DOG: THE HOUND OF HELL (1978)
      • LEGION OF FIRE: KILLER ANTS (1998)
      • DEEP BLUE SEA (1999)
      • OPEN WATER (2003)
      • THE HIVE A LOOK AT LITERARY ENTOMOLOGY (2008)
      • THE REEF (2010)
      • THE GREY (2011)
      • SHARKNADO (2013)
      • WER (2013)
      • THE BABADOOK (2014)
    • HONORED DIRECTORS >
      • SHIVERS (1975)
      • VIDEDROME (1983)
      • THE FLY (1986)
      • DEAD RINGERS (1988)
      • CHRISTINE (1983)
      • THE THING (1982)
      • PRINCE OF DARKNESS (1987)
      • THEY LIVE (1988)
      • IN THE MOUTH OF MADNESS (1994)
      • REPULSION (1965)
      • THE TENANT (1976)
      • THE FEARLESS VAMPIRE KILLERS (1967)
      • ROSEMARY'S BABY (1968)
      • FRANKENSTEIN (1910)
      • THE OLD DARK HOUSE (1932)
      • THE INVISIBLE MAN (1933)
      • BRIDE OF FRANKENSTEIN (1935)
      • SALEM'S LOT (1979)
      • THE FUNHOUSE (1981)
      • LIFE FORCE (1985)
      • POLTERGEIST (1982)
      • THE TEXAS CHAIN SAW MASSACRE (1974)
      • THE LAST HOUSE ON THE LEFT (1972)
      • THE HILLS HAVE EYES (1977)
      • A NIGHTMARE ON ELM STREET (1984)
      • SCREAM (1996)
    • KOREAN FLICKS >
      • 조용한 가족 (aka The Quiet Family 1998)
      • 소름 (aka SORUM 2001)
      • 세이 예스 (aka SAY YES 2001)
      • 폰 (aka Phone 2002)
      • 령 aka DEAD FRIEND aka THE GHOST (2004)
      • 거미슾 (aka SPIDER FOREST 2004)
      • 분홍신 aka THE RED SHOES (2005)
      • 레드 아이 (AKA RED EYE 2005)
      • 스승의은혜 (AKA TO SIR, WITH LOVE 2006)
      • 신데렐라 (aka Cinderella 2006)
      • 아파트 (aka APT 2006)
      • 두사람이다 aka VOICES (2007)
      • Alone (2007)
      • 므이 (aka MOUI 2007)
      • 헨젤 과 그레텔 (aka Hansel & Gretel 2007)
      • 추격자 (aka The Chaser 2008)
      • 외톨이 (맘 LONER 2008)
      • 고死: 피의 중간고사 (aka DEATH BELL 2008)
      • 불신지옥 (aka POSSESSED 2009)
      • 요가학완 aka YOGA CLASS (2009)
      • 베스트 세러 (aka BEST SELLER 2010)
      • 악마를 보았다 (aka I SAW THE DEVIL 2010)
      • 고양이: 죽음을보는 두개의눈 (aka THE CAT 2011)
      • 기생령 (aka GHASTLY 2011)
      • 무서운이야기 (AKA HORROR STORIES 2012)
      • 더웹툰 예고살린 (AKA KILLER TOON 2013)
      • 뫼비우스 (aka MOEBIUS 2013)
    • THRILLERS >
      • DEAD OF NIGHT (1945)
      • STRANGERS ON A TRAIN (1951)
      • REAR WINDOW (1954)
      • THE TROUBLE WITH HARRY (1955)
      • NORTH BY NORTHWEST (1959)
      • THE BIRDS (1963)
      • STRIP NUDE FOR YOUR KILLER (1975)
      • BODY HEAT (1981)
      • CAT PEOPLE (1982)
      • JAGGED EDGE (1985)
      • BEDROOM WINDOW (1987)
      • NINE QUEENS (2000)
      • WHAT LIES BENEATH (2000)
      • THE DESCENT (2005)
      • THE EXPERIMENT (2010)
      • YOU'RE NEXT (2011)
      • 의뢰인 (aka The Client 2011)
      • ABRAHAM LINCOLN VAMPIRE HUNTER (2012)
      • TOAD ROAD (2012)
      • FEAR LIVES HERE (2013)
      • 런닝 맨 (AKA RUNNING MAN 2013)
      • GRAND PIANO (2013)
      • HOURS (2013)
      • BLUE RUIN (2013)
      • HOUSE OF GOOD AND EVIL (2013)
      • THE PURGE (2013)
      • 더테러라이브 (aka The Terror Live 2013)
      • THE HUMAN RACE (2013)
      • DAYLIGHT (2013)
      • HOUSEBOUND (2014)
      • THE GUEST (2014)
    • PSYCHOS >
      • DR. JEKYLL AND MR. HYDE (1931)
      • ROPE (1948)
      • 1950's AWESOMENESS >
        • ROCKETSHIP X-M (1950)
        • THE MAN WHO CHEATED HIMSELF (1950)
        • WHAT THE BUTLER SAW (1950)
        • THE FLYING SAUCER (1950)
        • ROBOT MONSTER (1953)
        • PHANTOM FROM SPACE (1953)
        • TARGET EARTH (1954)
        • THE SNOW CREATURE (1954)
        • KILLERS FROM SPACE (1954)
        • IT CONQUERED THE WORLD (1956)
        • THE MOLE PEOPLE (1956)
        • THE GAMMA PEOPLE (1956)
        • THE LAND UNKNOWN (1957)
        • THE BRAIN FROM PLANET AROUS (1957)
        • I WAS A TEENAGE FRANKENSTEIN (1957)
        • THE NIGHT THE WORLD EXPLODED (1957)
        • THE AMAZING COLOSSAL MAN (1957)
        • THE GIANT CLAW (1957)
        • KRONOS (1957)
        • LA CRAVATE (1957)
        • THE THREE FACES OF EVE (1957)
        • THE MONOLITH MONSTERS (1957)
        • I BURY THE LIVING (1958)
        • THE MONSTER OF PIEDRAS BLANCAS (1959)
        • TEENAGERS FROM OUTER SPACE (1959)
        • ATTACK OF THE GIANT LEECHES (1959)
        • BEAST FROM HAUNTED CAVE (1959)
        • I EAT YOUR SKIN (1964)
      • LES DIABOLIQUES (1955)
      • PSYCHO (1960)
      • WHATEVER HAPPENED TO BABY JANE (1962)
      • TAXI DRIVER (1976)
      • ¿Quien Puede Matar a un Niño? (aka WHO CAN KILL A CHILD? aka THE ISLAND OF THE DAMNED 1976)
      • THE SHINING (1980)
      • FRIDAY THE 13TH (1980)
      • MISERY (1990)
      • CAPE FEAR (1991)
      • THE SILENCE OF THE LAMBS (1991)
      • SWOON (1992)
      • DEATH AND THE MAIDEN (1992)
      • RESERVOIR DOGS (1992)
      • SCHINDLER'S LIST (1993)
      • NATURAL BORN KILLERS (1994)
      • THE CELL (2000)
      • SEXY BEAST (2000)
      • ONE HOUR PHOTO (2002)
      • MONSTER (2003)
      • WRONG TURN (2003)
      • WOLF CREEK (2005)
      • SIN CITY (2005)
      • HARD CANDY (2005)
      • THE LAST KING OF SCOTLAND (2006)
      • MR. BROOKS (2007)
      • THE DARK KNIGHT (2008)
      • SKYFALL (2012)
    • THE SUPERNATURAL >
      • NOSFERATU (1922)
      • CARNIVAL OF SOULS (1962)
      • LET'S SCARE JESSICA TO DEATH (1971)
      • THE CHANGELING (1980)
      • THE EVIL DEAD (1981)
      • ANGEL HEART (1987)
      • HELLRAISER (1987)
      • CHILD'S PLAY (1988)
      • THE SIXTH SENSE (1999)
      • AUDITION (1999)
      • END OF DAYS (1999)
      • STIGMATA (1999)
      • Richard Matheson Tribute: A STIR OF Memories
      • THE GIFT (2000)
      • THE RING (2002)
      • THE GRUDGE (2004)
      • THE EXORCISM OF EMILY ROSE (2005)
      • THE AMITYVILLE HORROR (2005)
      • DARK WATER (2005)
      • SILENT HILL (2006)
      • PARANORMAL ACTIVITY (2007)
      • LAKE MUNGO (2008)
      • DRAG ME TO HELL (2009)
      • INSIDIOUS (2010)
      • WE ARE WHAT WE ARE (2013)
      • MAMA (2013)
      • CARRIE (2013)
      • OCULUS (2013)
      • THE CONJURING (2013)
      • LATE PHASES (2014)
      • THE TAKING OF DEBORAH LOGAN (2014)
      • JESSABELLE (2014)
      • ANNABELLE (2014)
  • Psycho Hall of Fame
  • Crimson Peak
  • An America Terror
  • The Beat Goes On: Horror Franchises

신데렐라 (aka Cinderella 2006)

4/1/2014

0 Comments

 
Picture
Picture
An ALUUSION is a reference to a person, place, event or passage from literature usually without explicit identification. Writers use it to create tone through an implied association. It causes the reader/viewer to recall past associations and bring them into the new interpretive setting.


Picture
The Korean film Cinderella makes use of allusion in its title. Cinderella is one of the most famous fairy tales; a version of it may be found in many cultures with slight variation. So for this film to use it as a title means there should be some explicit connections adding layers of meaning or tone. And indeed the movie does benefit from the literary associations; however, this is a horror movie – not a fairy tale.


Picture
At the core is a theme regarding the power of beauty. In the original tale, it’s Cinderella’s beauty that captures the Prince’s heart, not just her dazzling transparent footwear. Many feminists hate that, but there it is. A story where all the wicked people are female, the heroine is completely passive and doesn’t stand up for herself, and a fairy god mother who is more of an enabler than a miracle worker…and oh, yeah, she also exploits animal labor! LOL


Picture
The Korean film is also about Beauty, though it’s about Korea’s obsession with plastic surgery. This isn’t really a morality tale, though. It’s more of a see-what-extremes-Korean-women-will-go-to-in-the-name-of-beauty sort of message. A mother who happens to be a plastic surgeon, has a daughter who was scarred horribly in a fire. Same mother befriends a beautiful orphan girl (Cinderella was an orphan too). Somehow Mom gets the orphan girl to live in her basement (again, very Cinderella living in the ashes). But the story begins way way after all this and the daughter is beautiful. She finds out at the same time we do that she had been in a fire. Oddly there are no pictures from her childhood. So we’re left with an interesting question of identity (much like Cinderella from the fairy tale). Is the beautiful daughter a changeling (the orphan) and the girl in the basement the burned daughter? The girl in the basement the orphan who has donated her face to the burned daughter? I could tell you, but that’s pretty much the whole movie. That and horrible female friends as surrogate step sisters who all are vain and end up dead. Whoever is in the basement, she hangs herself in the opening frames of the film, so we are left dealing with her ghost.


Picture
So by calling your film Cinderella, you ask everyone to bring along all their prior associations with the story and it proves an interesting time finding the connections to the original tale, but they are there. One big difference is the father in the original died while this one merely got divorced out of the picture, but he does provide some interesting information along the way.


Picture
This is not a really goof horror movie, though it’s worth a watch once for fans of the genre. It’s more frightening if you understand that the females’ obsessions with beauty portrayed in this film are not hyperbolic! People in Korea give plastic surgery to their kids as graduation presents. It’s madness!


0 Comments



Leave a Reply.

    ALLUSION

    A reference to something used to establish tone.

    Archives

    April 2014

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.