My Horrible Idea
(Using Horror Movies to Teach English)
  • How to Use Monsters in the Classroom
    • What Can Monsters Teach Us?
    • Rhetorical Problems of Purpose, Audience, and Genre
    • Doubt: A Parable
  • Literary Stuff
  • Guest Blogs
    • SCARY MARY: A STUDY OF TONE
    • Horror Movie Survey
    • First Dates and Wisecracking Werewolfs
    • Rachel Tucker: A Master Gardener's take on The Purge
    • Janice Cheng: Horror & Logic
    • Zach Butler: Why All the Horror?
  • Movie Lists
    • MEAT IS MURDER: MY TOP FIVE LIST OF CANNIBAL MOVIES
    • CHRISTMAS HORROR MOVIES
    • TRIBUTE TO MR. VINCENT LEONARD PRICE, JR.
  • Archives
    • MONSTER MOVIES >
      • DRACULA (1931)
      • THE MUMMY (1932)
      • KING KONG (1933)
      • THE WOLF MAN (1941)
      • CREATURE FROM THE BLACK LAGOON (1954)
      • THEM! (1959)
      • THE HOUND OF THE BASKERVILLES (1959)
      • THE WASP WOMAN (1959)
      • THE DEADLY BEES (1966)
      • PLANET OF THE APES (1968)
      • EMPIRE OF THE ANTS (1977)
      • THE SWARM (1978)
      • THE BEES (1978)
      • ALIEN (1979)
      • THE ATTIC (1980)
      • CUJO (1981)
      • PREDATOR (1987)
      • DEAD ALIVE (1992)
      • CONGO (1995)
      • JAWS (1975)
      • DEVIL DOG: THE HOUND OF HELL (1978)
      • LEGION OF FIRE: KILLER ANTS (1998)
      • DEEP BLUE SEA (1999)
      • OPEN WATER (2003)
      • THE HIVE A LOOK AT LITERARY ENTOMOLOGY (2008)
      • THE REEF (2010)
      • THE GREY (2011)
      • SHARKNADO (2013)
      • WER (2013)
      • THE BABADOOK (2014)
    • HONORED DIRECTORS >
      • SHIVERS (1975)
      • VIDEDROME (1983)
      • THE FLY (1986)
      • DEAD RINGERS (1988)
      • CHRISTINE (1983)
      • THE THING (1982)
      • PRINCE OF DARKNESS (1987)
      • THEY LIVE (1988)
      • IN THE MOUTH OF MADNESS (1994)
      • REPULSION (1965)
      • THE TENANT (1976)
      • THE FEARLESS VAMPIRE KILLERS (1967)
      • ROSEMARY'S BABY (1968)
      • FRANKENSTEIN (1910)
      • THE OLD DARK HOUSE (1932)
      • THE INVISIBLE MAN (1933)
      • BRIDE OF FRANKENSTEIN (1935)
      • SALEM'S LOT (1979)
      • THE FUNHOUSE (1981)
      • LIFE FORCE (1985)
      • POLTERGEIST (1982)
      • THE TEXAS CHAIN SAW MASSACRE (1974)
      • THE LAST HOUSE ON THE LEFT (1972)
      • THE HILLS HAVE EYES (1977)
      • A NIGHTMARE ON ELM STREET (1984)
      • SCREAM (1996)
    • KOREAN FLICKS >
      • 조용한 가족 (aka The Quiet Family 1998)
      • 소름 (aka SORUM 2001)
      • 세이 예스 (aka SAY YES 2001)
      • 폰 (aka Phone 2002)
      • 령 aka DEAD FRIEND aka THE GHOST (2004)
      • 거미슾 (aka SPIDER FOREST 2004)
      • 분홍신 aka THE RED SHOES (2005)
      • 레드 아이 (AKA RED EYE 2005)
      • 스승의은혜 (AKA TO SIR, WITH LOVE 2006)
      • 신데렐라 (aka Cinderella 2006)
      • 아파트 (aka APT 2006)
      • 두사람이다 aka VOICES (2007)
      • Alone (2007)
      • 므이 (aka MOUI 2007)
      • 헨젤 과 그레텔 (aka Hansel & Gretel 2007)
      • 추격자 (aka The Chaser 2008)
      • 외톨이 (맘 LONER 2008)
      • 고死: 피의 중간고사 (aka DEATH BELL 2008)
      • 불신지옥 (aka POSSESSED 2009)
      • 요가학완 aka YOGA CLASS (2009)
      • 베스트 세러 (aka BEST SELLER 2010)
      • 악마를 보았다 (aka I SAW THE DEVIL 2010)
      • 고양이: 죽음을보는 두개의눈 (aka THE CAT 2011)
      • 기생령 (aka GHASTLY 2011)
      • 무서운이야기 (AKA HORROR STORIES 2012)
      • 더웹툰 예고살린 (AKA KILLER TOON 2013)
      • 뫼비우스 (aka MOEBIUS 2013)
    • THRILLERS >
      • DEAD OF NIGHT (1945)
      • STRANGERS ON A TRAIN (1951)
      • REAR WINDOW (1954)
      • THE TROUBLE WITH HARRY (1955)
      • NORTH BY NORTHWEST (1959)
      • THE BIRDS (1963)
      • STRIP NUDE FOR YOUR KILLER (1975)
      • BODY HEAT (1981)
      • CAT PEOPLE (1982)
      • JAGGED EDGE (1985)
      • BEDROOM WINDOW (1987)
      • NINE QUEENS (2000)
      • WHAT LIES BENEATH (2000)
      • THE DESCENT (2005)
      • THE EXPERIMENT (2010)
      • YOU'RE NEXT (2011)
      • 의뢰인 (aka The Client 2011)
      • ABRAHAM LINCOLN VAMPIRE HUNTER (2012)
      • TOAD ROAD (2012)
      • FEAR LIVES HERE (2013)
      • 런닝 맨 (AKA RUNNING MAN 2013)
      • GRAND PIANO (2013)
      • HOURS (2013)
      • BLUE RUIN (2013)
      • HOUSE OF GOOD AND EVIL (2013)
      • THE PURGE (2013)
      • 더테러라이브 (aka The Terror Live 2013)
      • THE HUMAN RACE (2013)
      • DAYLIGHT (2013)
      • HOUSEBOUND (2014)
      • THE GUEST (2014)
    • PSYCHOS >
      • DR. JEKYLL AND MR. HYDE (1931)
      • ROPE (1948)
      • 1950's AWESOMENESS >
        • ROCKETSHIP X-M (1950)
        • THE MAN WHO CHEATED HIMSELF (1950)
        • WHAT THE BUTLER SAW (1950)
        • THE FLYING SAUCER (1950)
        • ROBOT MONSTER (1953)
        • PHANTOM FROM SPACE (1953)
        • TARGET EARTH (1954)
        • THE SNOW CREATURE (1954)
        • KILLERS FROM SPACE (1954)
        • IT CONQUERED THE WORLD (1956)
        • THE MOLE PEOPLE (1956)
        • THE GAMMA PEOPLE (1956)
        • THE LAND UNKNOWN (1957)
        • THE BRAIN FROM PLANET AROUS (1957)
        • I WAS A TEENAGE FRANKENSTEIN (1957)
        • THE NIGHT THE WORLD EXPLODED (1957)
        • THE AMAZING COLOSSAL MAN (1957)
        • THE GIANT CLAW (1957)
        • KRONOS (1957)
        • LA CRAVATE (1957)
        • THE THREE FACES OF EVE (1957)
        • THE MONOLITH MONSTERS (1957)
        • I BURY THE LIVING (1958)
        • THE MONSTER OF PIEDRAS BLANCAS (1959)
        • TEENAGERS FROM OUTER SPACE (1959)
        • ATTACK OF THE GIANT LEECHES (1959)
        • BEAST FROM HAUNTED CAVE (1959)
        • I EAT YOUR SKIN (1964)
      • LES DIABOLIQUES (1955)
      • PSYCHO (1960)
      • WHATEVER HAPPENED TO BABY JANE (1962)
      • TAXI DRIVER (1976)
      • ¿Quien Puede Matar a un Niño? (aka WHO CAN KILL A CHILD? aka THE ISLAND OF THE DAMNED 1976)
      • THE SHINING (1980)
      • FRIDAY THE 13TH (1980)
      • MISERY (1990)
      • CAPE FEAR (1991)
      • THE SILENCE OF THE LAMBS (1991)
      • SWOON (1992)
      • DEATH AND THE MAIDEN (1992)
      • RESERVOIR DOGS (1992)
      • SCHINDLER'S LIST (1993)
      • NATURAL BORN KILLERS (1994)
      • THE CELL (2000)
      • SEXY BEAST (2000)
      • ONE HOUR PHOTO (2002)
      • MONSTER (2003)
      • WRONG TURN (2003)
      • WOLF CREEK (2005)
      • SIN CITY (2005)
      • HARD CANDY (2005)
      • THE LAST KING OF SCOTLAND (2006)
      • MR. BROOKS (2007)
      • THE DARK KNIGHT (2008)
      • SKYFALL (2012)
    • THE SUPERNATURAL >
      • NOSFERATU (1922)
      • CARNIVAL OF SOULS (1962)
      • LET'S SCARE JESSICA TO DEATH (1971)
      • THE CHANGELING (1980)
      • THE EVIL DEAD (1981)
      • ANGEL HEART (1987)
      • HELLRAISER (1987)
      • CHILD'S PLAY (1988)
      • THE SIXTH SENSE (1999)
      • AUDITION (1999)
      • END OF DAYS (1999)
      • STIGMATA (1999)
      • Richard Matheson Tribute: A STIR OF Memories
      • THE GIFT (2000)
      • THE RING (2002)
      • THE GRUDGE (2004)
      • THE EXORCISM OF EMILY ROSE (2005)
      • THE AMITYVILLE HORROR (2005)
      • DARK WATER (2005)
      • SILENT HILL (2006)
      • PARANORMAL ACTIVITY (2007)
      • LAKE MUNGO (2008)
      • DRAG ME TO HELL (2009)
      • INSIDIOUS (2010)
      • WE ARE WHAT WE ARE (2013)
      • MAMA (2013)
      • CARRIE (2013)
      • OCULUS (2013)
      • THE CONJURING (2013)
      • LATE PHASES (2014)
      • THE TAKING OF DEBORAH LOGAN (2014)
      • JESSABELLE (2014)
      • ANNABELLE (2014)
  • Psycho Hall of Fame
  • Crimson Peak
  • An America Terror
  • The Beat Goes On: Horror Franchises

Bedroom Window (1987)

8/14/2014

0 Comments

 
Picture
This is one of those quiet movies that most people have forgotten, but still sizzles after all these years. I dare say those who didn’t see it in its initial run have never even heard of it. It’s a very entertaining film with lots of twisty noir style detective flavor. The ending is not as satisfying as the rest of the film, but it’s easily overlooked when you consider the lead is Steve Guttenberg…that’s right…the dorky guy from the Police Academy movies…and he’s awesome here as the doe-eyed idiot who sleeps with his boss’s wife. And that’s just the first in a one series of mistakes that lands him in the middle of a multiple murder investigation as the prime suspect.

Picture
For this film I’d like to discuss the concept of Character Motive. Motive is the reason or driving force behind an action. You hear actors all the time asking, “What’s my motivation?” It’s cliché, but in crime dramas, it’s usually what fuels the crime and uncovering it can lead to resolution. In real life, when heinous things occur like school shootings or terrorist acts, people scratch their heads and ask, “Why?” It’s our nature to need a reason we can understand to, if not justify the actions, to at least comprehend and contextualize them.

Picture
On the Middle Ages we’d just put this kind of behavior down to being possessed by a demon or it was a reaction to the phases of the moon. That’s, by the way, where the word lunacy comes from. Crime theory has been around since the 1700s when Italian Cesare Beccaria posited a link between “justice” and punishment. He claimed that the punishment should not be excessive and should be used as a deterrent to criminal conduct. He also thought it only fair if these punishments were written in advance so all could know what to expect. Unfortunately, Beccaria’s theories only work if criminals are rational beings whose behavior is the result of a rational thought process. We know from our modern perspective that many crimes are committed by people with mental health issues, out of passion, brain irregularities, PPDS, and or desperation.

Picture
Then we get Jeremy Bentham’s “Hedonistic Calculus” theory which rests on the thought that people will only NOT commit crimes is the punishment outweighs the reward. He did agree with Beccaria that punishment should be a deterrent to crime. Years later, the belief that physical traits had a hand in a person’s criminality took hold and phenomenon’s like phrenology had their day. There were even links to Darwin’s theories of evolution used to back being “Born a criminal” as physical characteristics of primitive man were seen as sure signs of potential criminal activity. Even tattooing was seen as criminal.

Punishment as a deterrent doesn’t really work because most criminals don’t think they will ever get caught. And sociopaths don’t really anticipate personal consequences. They feel no remorse, so rational empathy for the victims of their actions is a mute point.

Picture
Anyway, what does all this have to do with Bedroom Window? The two leads discuss at length the WHY of the killer’s actions, but what is also on the table for observation is the WHY of why Guttenberg’s character choses to lie about witnessing  an attempted assault. Sure he’s doing it to protect the reputation of his boss’s wife who is the actual witness to the crime, but she points out that he also does it because he’s “grandstanding” for her and then later for the police. That he does it somehow for the thrill and the attention. And it’s a valid point. It’s said by another character that he does it because he’s either hopelessly romantic or an idiot. 

Picture
Whatever the reason, it’s always good to look at every character’s motivation, not just the bad guys. It’s also important to ask about motivation of crime in the real world where we seem only interested in apprehension and punishment. Know the WHY may lead us to being able to stop many crimes before their perpetrators have the chance to develop into the sociopaths we’ve come to abhor. 

0 Comments

    CHARACTER MOTIVATION

    Why do characters do the things they do? Especially criminals?

    Archives

    August 2014

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.