My Horrible Idea
(Using Horror Movies to Teach English)
  • How to Use Monsters in the Classroom
    • What Can Monsters Teach Us?
    • Rhetorical Problems of Purpose, Audience, and Genre
    • Doubt: A Parable
  • Literary Stuff
  • Guest Blogs
    • SCARY MARY: A STUDY OF TONE
    • Horror Movie Survey
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    • Rachel Tucker: A Master Gardener's take on The Purge
    • Janice Cheng: Horror & Logic
    • Zach Butler: Why All the Horror?
  • Movie Lists
    • MEAT IS MURDER: MY TOP FIVE LIST OF CANNIBAL MOVIES
    • CHRISTMAS HORROR MOVIES
    • TRIBUTE TO MR. VINCENT LEONARD PRICE, JR.
  • Archives
    • MONSTER MOVIES >
      • DRACULA (1931)
      • THE MUMMY (1932)
      • KING KONG (1933)
      • THE WOLF MAN (1941)
      • CREATURE FROM THE BLACK LAGOON (1954)
      • THEM! (1959)
      • THE HOUND OF THE BASKERVILLES (1959)
      • THE WASP WOMAN (1959)
      • THE DEADLY BEES (1966)
      • PLANET OF THE APES (1968)
      • EMPIRE OF THE ANTS (1977)
      • THE SWARM (1978)
      • THE BEES (1978)
      • ALIEN (1979)
      • THE ATTIC (1980)
      • CUJO (1981)
      • PREDATOR (1987)
      • DEAD ALIVE (1992)
      • CONGO (1995)
      • JAWS (1975)
      • DEVIL DOG: THE HOUND OF HELL (1978)
      • LEGION OF FIRE: KILLER ANTS (1998)
      • DEEP BLUE SEA (1999)
      • OPEN WATER (2003)
      • THE HIVE A LOOK AT LITERARY ENTOMOLOGY (2008)
      • THE REEF (2010)
      • THE GREY (2011)
      • SHARKNADO (2013)
      • WER (2013)
      • THE BABADOOK (2014)
    • HONORED DIRECTORS >
      • SHIVERS (1975)
      • VIDEDROME (1983)
      • THE FLY (1986)
      • DEAD RINGERS (1988)
      • CHRISTINE (1983)
      • THE THING (1982)
      • PRINCE OF DARKNESS (1987)
      • THEY LIVE (1988)
      • IN THE MOUTH OF MADNESS (1994)
      • REPULSION (1965)
      • THE TENANT (1976)
      • THE FEARLESS VAMPIRE KILLERS (1967)
      • ROSEMARY'S BABY (1968)
      • FRANKENSTEIN (1910)
      • THE OLD DARK HOUSE (1932)
      • THE INVISIBLE MAN (1933)
      • BRIDE OF FRANKENSTEIN (1935)
      • SALEM'S LOT (1979)
      • THE FUNHOUSE (1981)
      • LIFE FORCE (1985)
      • POLTERGEIST (1982)
      • THE TEXAS CHAIN SAW MASSACRE (1974)
      • THE LAST HOUSE ON THE LEFT (1972)
      • THE HILLS HAVE EYES (1977)
      • A NIGHTMARE ON ELM STREET (1984)
      • SCREAM (1996)
    • KOREAN FLICKS >
      • 조용한 가족 (aka The Quiet Family 1998)
      • 소름 (aka SORUM 2001)
      • 세이 예스 (aka SAY YES 2001)
      • 폰 (aka Phone 2002)
      • 령 aka DEAD FRIEND aka THE GHOST (2004)
      • 거미슾 (aka SPIDER FOREST 2004)
      • 분홍신 aka THE RED SHOES (2005)
      • 레드 아이 (AKA RED EYE 2005)
      • 스승의은혜 (AKA TO SIR, WITH LOVE 2006)
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      • 두사람이다 aka VOICES (2007)
      • Alone (2007)
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      • 추격자 (aka The Chaser 2008)
      • 외톨이 (맘 LONER 2008)
      • 고死: 피의 중간고사 (aka DEATH BELL 2008)
      • 불신지옥 (aka POSSESSED 2009)
      • 요가학완 aka YOGA CLASS (2009)
      • 베스트 세러 (aka BEST SELLER 2010)
      • 악마를 보았다 (aka I SAW THE DEVIL 2010)
      • 고양이: 죽음을보는 두개의눈 (aka THE CAT 2011)
      • 기생령 (aka GHASTLY 2011)
      • 무서운이야기 (AKA HORROR STORIES 2012)
      • 더웹툰 예고살린 (AKA KILLER TOON 2013)
      • 뫼비우스 (aka MOEBIUS 2013)
    • THRILLERS >
      • DEAD OF NIGHT (1945)
      • STRANGERS ON A TRAIN (1951)
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      • THE BIRDS (1963)
      • STRIP NUDE FOR YOUR KILLER (1975)
      • BODY HEAT (1981)
      • CAT PEOPLE (1982)
      • JAGGED EDGE (1985)
      • BEDROOM WINDOW (1987)
      • NINE QUEENS (2000)
      • WHAT LIES BENEATH (2000)
      • THE DESCENT (2005)
      • THE EXPERIMENT (2010)
      • YOU'RE NEXT (2011)
      • 의뢰인 (aka The Client 2011)
      • ABRAHAM LINCOLN VAMPIRE HUNTER (2012)
      • TOAD ROAD (2012)
      • FEAR LIVES HERE (2013)
      • 런닝 맨 (AKA RUNNING MAN 2013)
      • GRAND PIANO (2013)
      • HOURS (2013)
      • BLUE RUIN (2013)
      • HOUSE OF GOOD AND EVIL (2013)
      • THE PURGE (2013)
      • 더테러라이브 (aka The Terror Live 2013)
      • THE HUMAN RACE (2013)
      • DAYLIGHT (2013)
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      • THE GUEST (2014)
    • PSYCHOS >
      • DR. JEKYLL AND MR. HYDE (1931)
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      • 1950's AWESOMENESS >
        • ROCKETSHIP X-M (1950)
        • THE MAN WHO CHEATED HIMSELF (1950)
        • WHAT THE BUTLER SAW (1950)
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        • THE MOLE PEOPLE (1956)
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        • LA CRAVATE (1957)
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        • THE MONOLITH MONSTERS (1957)
        • I BURY THE LIVING (1958)
        • THE MONSTER OF PIEDRAS BLANCAS (1959)
        • TEENAGERS FROM OUTER SPACE (1959)
        • ATTACK OF THE GIANT LEECHES (1959)
        • BEAST FROM HAUNTED CAVE (1959)
        • I EAT YOUR SKIN (1964)
      • LES DIABOLIQUES (1955)
      • PSYCHO (1960)
      • WHATEVER HAPPENED TO BABY JANE (1962)
      • TAXI DRIVER (1976)
      • ¿Quien Puede Matar a un Niño? (aka WHO CAN KILL A CHILD? aka THE ISLAND OF THE DAMNED 1976)
      • THE SHINING (1980)
      • FRIDAY THE 13TH (1980)
      • MISERY (1990)
      • CAPE FEAR (1991)
      • THE SILENCE OF THE LAMBS (1991)
      • SWOON (1992)
      • DEATH AND THE MAIDEN (1992)
      • RESERVOIR DOGS (1992)
      • SCHINDLER'S LIST (1993)
      • NATURAL BORN KILLERS (1994)
      • THE CELL (2000)
      • SEXY BEAST (2000)
      • ONE HOUR PHOTO (2002)
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      • WRONG TURN (2003)
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      • SIN CITY (2005)
      • HARD CANDY (2005)
      • THE LAST KING OF SCOTLAND (2006)
      • MR. BROOKS (2007)
      • THE DARK KNIGHT (2008)
      • SKYFALL (2012)
    • THE SUPERNATURAL >
      • NOSFERATU (1922)
      • CARNIVAL OF SOULS (1962)
      • LET'S SCARE JESSICA TO DEATH (1971)
      • THE CHANGELING (1980)
      • THE EVIL DEAD (1981)
      • ANGEL HEART (1987)
      • HELLRAISER (1987)
      • CHILD'S PLAY (1988)
      • THE SIXTH SENSE (1999)
      • AUDITION (1999)
      • END OF DAYS (1999)
      • STIGMATA (1999)
      • Richard Matheson Tribute: A STIR OF Memories
      • THE GIFT (2000)
      • THE RING (2002)
      • THE GRUDGE (2004)
      • THE EXORCISM OF EMILY ROSE (2005)
      • THE AMITYVILLE HORROR (2005)
      • DARK WATER (2005)
      • SILENT HILL (2006)
      • PARANORMAL ACTIVITY (2007)
      • LAKE MUNGO (2008)
      • DRAG ME TO HELL (2009)
      • INSIDIOUS (2010)
      • WE ARE WHAT WE ARE (2013)
      • MAMA (2013)
      • CARRIE (2013)
      • OCULUS (2013)
      • THE CONJURING (2013)
      • LATE PHASES (2014)
      • THE TAKING OF DEBORAH LOGAN (2014)
      • JESSABELLE (2014)
      • ANNABELLE (2014)
  • Psycho Hall of Fame
  • Crimson Peak
  • An America Terror
  • The Beat Goes On: Horror Franchises

Deep Blue Sea (1999)

6/22/2014

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We have a cultural obsession with sharks. It’s actually inexplicable if you look at some statistics in 2012 there were 53 shark attacks in the US, none of them fatal. That same year there were only 7shark fatalities worldwide. Compared to an average of 19 people a year killed by dog attacks, you’d think we’d have more Cujo movies! Australia has reported an average of 1 shark fatality a year for the last 50 years. On the other hand, humans kill more than 100 million sharks a year-every year. Sharks are a vital part of our ecosystem and we have hunted them down to 20% of their past numbers. Economically, shark tourism is worth $78 million a year to the Bahamian economy. Whale shark tourism is a 48 million a dollar a year business.

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And yet...we’re afraid to the very core of our humanity of sharks. That’s why movie makers will always bank on a shark movie. Is it their unpredictability? Is it their uncontrollability? Is it our entitlement at wanting to enjoy their environment and our anger at their audacity to attack US? They are a constant reminder that no matter what we think, we are NOT the top of the food chain.

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Deep Blue Sea is a good example of how man’s tampering with science and nature leads to his own demise. It’s not enough that these things are deadly and scary, these scientists genetically alter them to be bigger and smarter all in the name of scientific research. Well, you know they say the road to Hell is paved with good intentions. Deep Blue Sea shows us just what a bloody, watery road that can be.

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The literary term I’d like to use is Representative Character. Indeed, the three super sharks in this film are an unholy trinity that represent all our worst aquatic fears. They are flat and stereotypical, but not in a pejorative way. They have no lines. The swim and eat. But also in this film…they think. And that scares the bejesus out of me.


PictureI'm tired of these Motherf*cking sharks on this mother*cking science station!
These sharks represent our fear of the unknown. They come at us from the darkness. They are strong. They are big. And oh, what big teeth they have…. So next time you’re sitting comfy in your den watching Shark Week on TV with your dog…just know that statistically…your dog is more likely to kill you! LOL


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    REPRESENTATIVE CHARACTER

    Usually a stereotype, but a character that represents all of its type.

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